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Pianos during the 18th century were much different than their counterparts in the centuries from the 19th to the 21st. First of all, they were much smaller, normally comprising only five octaves instead of 7 1/3. Secondly, they were lightweight contraptions built using barely more materials than a harpsichord. Late 19th-century pianos were much sturdier and could withstand lat..

Simone Dinnerstein is trying to boost awareness and appreciation of classical music in both children and adults in places as different as New York City and Havana, Cuba. On her recent trip to Cuba, she noted how the string players in Cuba’s National Youth Orchestra couldn’t afford strings. Despite the handicap of using telephone wires as a substitute, the young people were..

Piano Recital with Juliana Steinbach – Live Stream May 19th, 2015 Welcome to watch the live broadcast of the recital with pianist Juliana Steinbach at the Royal Academy of Arts in Stockholm starting today, May 11, at 17.00 GMT. Program: Johann Sebastian Bach: Partita nr 2 in C-minor Mussorgsky: Pictures at an Exhibition Darius Milhaud: Saudades do Brasil Heitor Villa-Lob..

Gabriela Montero - Uniting the Worlds of Composition and Improvisation Pianists post-Liszt, however, blended improvisation with playing from memory so that “Performing a composition by heart fostered the impression that interpretation could have the freedom and spontaneity of an improvisation, but linked to music of greater complexity and?implicity?quality” (from After the..

By the time Philip Glass had decided to better himself as a pianist, he had already been a successful composer for almost 30 years. His music had been used in the Olympic Games and movies, and he had been a worthy successor to such seminal minimalist composers as Reich and Riley. The journey he began in 1994 covered the following 19 years, and, during that time, he composed ea..

Kathleen Supové is one of America’s most acclaimed and versatile contemporary music pianists, known for continually redefining what it means to be a pianist and keyboardist/performance artist in today’s world. After winning top prizes in the Gaudeamus International Competition for Interpretation of Contemporary Music, she began her career as a guest artist at the pres..

A recent article featured in Piano Street’s News Flash explains that four-hand piano duo partners share neurons dealing with spatial seizing while playing. That suggests that we give you readers a gem on the same topic. Two legends coming from Buenos Aires and of European-Jewish origin, both have made important global careers for themselves. Martha Argerich and Daniel Barenb..

Noriko Ogawa seems to be comfortable in the same pea pod as Claude Debussy; she displays a similar maverick streak to the French composer. They both lament the “rules” in roughly the same way. Debussy didn’t like the composition rules of his teachers at the Paris Conservatory, while Ogawa keeps away from what she sees as the restrictive, emotional tradition of European R..